[Texte disponible uniquement en anglais] jérôme and jeanfrançois Blanquet convey their experiences into a noisy and abstract live art project
liberated from conventional audivisual constraints: DEMOLECULARISATION.
DEMOLECULARISATION explores the live action, questionning the possibilities of an audiovisual syntax.
The devising sources are not pre-recorded, everything is entirely created in live.
Larsen and feedback effects through self-modified devices are very often at the heart of the devising
process.
The duo plays with the technical constraints...[Texte disponible uniquement en anglais] jérôme and jeanfrançois Blanquet convey their experiences into a noisy and abstract live art project
liberated from conventional audivisual constraints: DEMOLECULARISATION.
DEMOLECULARISATION explores the live action, questionning the possibilities of an audiovisual syntax.
The devising sources are not pre-recorded, everything is entirely created in live.
Larsen and feedback effects through self-modified devices are very often at the heart of the devising
process.
The duo plays with the technical constraints of the machines up to the point where their normal uses are
challenged.
jérôme, jeanfrançois Blanquet and the machines make one body towards a lively, spontaneous and
unstable composition.
liberated from conventional audivisual constraints: DEMOLECULARISATION.
DEMOLECULARISATION explores the live action, questionning the possibilities of an audiovisual syntax.
The devising sources are not pre-recorded, everything is entirely created in live.
Larsen and feedback effects through self-modified devices are very often at the heart of the devising
process.
The duo plays with the technical constraints...[Texte disponible uniquement en anglais] jérôme and jeanfrançois Blanquet convey their experiences into a noisy and abstract live art project
liberated from conventional audivisual constraints: DEMOLECULARISATION.
DEMOLECULARISATION explores the live action, questionning the possibilities of an audiovisual syntax.
The devising sources are not pre-recorded, everything is entirely created in live.
Larsen and feedback effects through self-modified devices are very often at the heart of the devising
process.
The duo plays with the technical constraints of the machines up to the point where their normal uses are
challenged.
jérôme, jeanfrançois Blanquet and the machines make one body towards a lively, spontaneous and
unstable composition.
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