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one act interactive Opera “Vitruvian”
[Texte disponible uniquement en anglais] team
Tatsuru Arai: concept, composition Arístides García: visulal-system Anna Anderegg:choreography Antoniya Ivanova: costum designer Elisa Pluta: dance
Xenia Romanova: soprano
full video
https://www.dropbox.com/s/7cnybgxo1yka5q6/vitruvianPremiere.mov
Trailer
1min.
https://vimeo.com/86599796
4min.
https://vimeo.com/86391362
concept
My artistic approach falls within the category of "New-Renaissance Art" in which I am
exploring how a Gesamtkunstwerk can coexist with recurrence/evolution,
Human/Technology, organic/inorganic matter, Chaos/Order. Vitruvian uses real-time
painting and a projection-mapping system; otherwise know as visualization. This
performance features a singer and a dancer. The basis for the inspiration of my operetta
Vitruvian is from the “Vitruvian man” of Leonardo...
[Texte disponible uniquement en anglais] team
Tatsuru Arai: concept, composition Arístides García: visulal-system Anna Anderegg:choreography Antoniya Ivanova: costum designer Elisa Pluta: dance
Xenia Romanova: soprano
full video
https://www.dropbox.com/s/7cnybgxo1yka5q6/vitruvianPremiere.mov
Trailer
1min.
https://vimeo.com/86599796
4min.
https://vimeo.com/86391362
concept
My artistic approach falls within the category of "New-Renaissance Art" in which I am
exploring how a Gesamtkunstwerk can coexist with recurrence/evolution,
Human/Technology, organic/inorganic matter, Chaos/Order. Vitruvian uses real-time
painting and a projection-mapping system; otherwise know as visualization. This
performance features a singer and a dancer. The basis for the inspiration of my operetta
Vitruvian is from the “Vitruvian man” of Leonardo da Vinci, where the piece attempts to
make both an analysis and mapping of the human-body. The movements and vocalizations
of the performers are mixed with different musical styles, which are composed and
programmed with complex chaos systems/geometric forms/abstructuristic choreography
and so forth. Beside this, the work is a combination of extremes and tries to induce the
audience into an odyssey of perception.


Technical equipment
-1 projector
-2speaker(with 1-2 sub woofer)
-minimum 5x3m backscreen(or white wall) -if it possible white dance carpet
we have:
-VVVV/PC for Visual system
-MaxMSP and Logic Pro mac for music
-2 infrared Lamp,1infrared camera

thanks
fellini Gallery /Platoon Kunsthalle berlin/Lehrtersiebzehn Berlin/HfM Hanns Eisler Berlin/klangzeitort/Quartet Berlin Tokyo

03.2013 “salon Revolutioner vol.3”Platoon kunsthalle Berlin(old version) 12.2013 “zoom focus” HfM Hanns Eisler Berlin (New version premiere) 02. 2014 “unrender” Lehrtersiebzehn


press
CDM:Create DigitalMusic/mosion
http://createdigitalmotion.com/2014/02/unrender-celebrating-visual-expression-as-something-live- online-and-in-berlin-friday/
http://createdigitalmotion.com/2014/02/the-visualized-opera-vitruvian-melds-dance-digital- with-operetta-unrender/

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Tatsuru Arai

Tatsuru Arai

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