[Text available only in English] He begins studying piano at the age of four and attends middle school at the “Santa Cecilia” Conservatory in Rome. In 1993, he starts studying jazz piano with Fabrizio Pieroni (until 1996) and attends the Umbria Jazz Clinics in 1994. In October 1996, he begins studying composition with Teresa Procaccini and continues his jazz piano training with Ramberto Ciammarughi from October 1997. In April 1998, he participates in a jazz masterclass held by Ciammarughi himself, along with Fabio Zeppetella and Roberto Gatto, in Città di Castello. That same year, he earns his piano diploma from the “F. Morlacchi” Conservatory in Perugia, under the guidance of Maestro Riccardo Marini. In 1999, he attends the Advanced Jazz Course at the Roman Academy of Music, studying with Fabrizio Sferra, Maurizio Giammarco, Danilo Rea, Fabio Zeppetella, and Giovanni Tommaso. In 2002, he obtains his Diploma in Jazz Music from the “Santa Cecilia” Conservatory in Rome, under the supervision of Maestro Bruno Tommaso. The following year, he enrolls in the Experimental Composition Course at the “N. Piccinni” Conservatory in Bari, led by Maestro Riccardo Santoboni.

His artistic career begins in 1994 with his participation in the “Primi Piani” concert for fifty pianos held in Piazza del Popolo in Rome on December 31, from which a live CD of the same name is released. The event is conducted by Bruno Tommaso and features, among others, Danilo Rea, Riccardo Fassi, Stefano Sabatini, and Antonello Salis. The following year, he plays piano in the theatrical production *“Lautrec au bordel”* by Mario Moretti, with music by Benedetto Ghiglia and performances by Marzio Margine and Cristiano Lionello, staged at Teatro dell’Orologio in Rome (January–February 1995). On April 20, he also performs as a pianist during the commemorative evening *“Mentre urla il silenzio”* for Davide Maria Turoldo, with Achille Millo, also at Teatro dell’Orologio.

In 1996, he plays piano in the theatrical show *“Notti Bianche. El tango del sueño”*, based on Dostoevsky and directed by Riccardo Cavallo, at Teatro dell’Orologio (April–May). The following year, in 1997, he is both pianist and composer in the theatrical performance *“Il Sogno Americano”*, adapted from F. Scott Fitzgerald, again directed by Riccardo Cavallo, with Mavi Felli, Alessandro Maggi, and Mauro Corvo, staged at Teatro XX Secolo in Rome (January–February). That same year, he appears as pianist on the radio program *“Stasera a Via Asiago, 10”*, directed by Umberto Broccoli and broadcast on RAI Radio 2 (January). In November, he performs Teresa Procaccini’s music during the evening event *“Poesia e teatro dei de Filippo”* with Luigi de Filippo at Teatro Flaiano in Rome.

In August 1998 and 1999, he serves as accompanist pianist in two poetry readings, *“Il dolce canto”* (from G. Leopardi) and *“Prévert”*, with actors Pietro Biondi and Corrado Russo, within the “Estate Spoletina” festival. The following year, he performs the same role in the theatrical show *“Il buono, il brutto, il cattivo e la Band”*, with the theater company *“I Picari”*, directed by Claudio Insegno and with music by Germano Mazzocchetti. In August 2001, he performs with the *Sandro Mambella Quartet* at the 8th edition of *“Concerti sotto le stelle”* in Pescara and at the 15th edition of the *Caramanico Terme Concert Series*. Since 2005, he has also performed as an organist in various Italian festivals and concert seasons.

His teaching career begins in 1993 at Forum Musica in Ciampino (Rome). Starting in 1998, he begins working as a music consultant for Mediaset networks. That same year, he begins teaching piano at the Roman Academy of Music and simultaneously teaches music theory and modern harmony at the Università della Musica in Rome. In 2002, he serves as a teaching assistant in the Jazz Music Department at the “Santa Cecilia” Conservatory in Rome. In July and August of the same year, he assists and collaborates with Mario Raja in the Siena Jazz workshops for the orchestra lab. Meanwhile, he continues teaching piano, music theory, and modern harmony at the Saint Louis College of Music.