00:30
ENDO-EXO is a joint project of MilaKotka (bio-art), Dizzy (video live performance) and SYNTRIG (audio live performance)
A table for synthesizers with dimensions of 2 m and 1 m on one-meter legs (e.g. stage module)
4 230V sockets at the table
Input list:
Synthesizers Out L - jack 6.3, dibox
Synthesizers Out R - jack 6.3, dibox
1 or 2 floor monitors
Table and chair for the video station
-4 230V sockets at the video station (for the all show and preparing)
-Analog connection from the main mixer to video station (jack 6.3)
-Projector or projector system for displaying video projections, screen or screen system for projections (please contact us for specific details)
-A projection screen (or a round screen with a diameter equal to the maximum height of the projection opening, if you can provide the resources to create it in the desert. Detailed information about the projectors and the room is required)
-Computer Monitor with HDMI or Display Portal (for the all show and preparing)
-HDMI or VGA cable, depending on what kind of projector it is
Both analog and digital mixing consoles can be used.
The sound system should have a power adequate to the size of the event and be provided by a professional sound company. One of the most important technical conditions is the presence of a sub-bass speaker or speakers!
Meals and accommodation for all three team members
Please have at least one technician present on stage or in close proximity at all times
duration of the performance
Duration 30 min
Exo-Tripping is a live cinema performance, a synesthetic blend of bio-art and psycho-mystic mantras (Mila Kotka), motion drama (Dizzy), and live electronics (Syntrig).
The uniqueness of our trio lies in the synthesis of arts. First is Mila Kotka, a bio-artist who delves into the analog biological world. She crafts bio-art hieroglyphs from elements of endemic plants collected in the wildest places on the planet. Adding a poetic touch, she writes psychomistic prose, treating them as spells that can open portals to those places. For the LMP-20 live performance, Mila plans to create a special symbol in the desert using elements of nature found on the spot, contributing to the site-specific approach of our visual poem.
This material is visual, and Dizzy takes charge of transmitting the sweetly digitized symbols to create live movements, cutting them into new pieces and adding movement using combinations of different software like Resolume and TouchDesigner. The final touch involves incorporating mantra phrases from the texts in harmony with the live plot of the musical narrative from Syntrig. Syntrig uses synthesizers and drum machines to produce synthetic sounds and unfolds a nonlinear story of live synesthetic cinema through dance music