Spécifications techniques
[Text available only in English] Haptic Dimensions explores the concept of the body as a site of production, reception, and transformation of sound. Following Maurice Merleau-Ponty’s Phenomenology of Perception, the body is not conceived as a mere physical object, but as a living medium between the self and the world, a threshold where sensory experiences take shape.
The visual dimension unfolds on two complementary levels: on the one hand, the decomposition, recomposition, and metamorphosis of bodies — both human and non-human — which become surfaces and sonic membranes; on the other, the emanation of sounds themselves, diffusing and transforming into perceptions for the listener. In this process, the body is not simply represented but traversed: like the sea, which is both a body in itself and an environment, it becomes a space of resonance and a perceptual threshold.
The work investigates transitional zones to evoke a sensitivity that eludes figuration and instead takes root in the sensorial, in direct dialogue with sound.
An experience in which bodies become both medium and threshold: producers and emitters, but also receivers and transformers.
