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[Texte disponible uniquement en anglais] “Untitled_VNZ” is an acousmatic concert dedicated to Venice and its sound. A sound that vibrates of water, stone, re, metal , all of which in a continuous movement of sensorial and mnemonic evolution. Time becomes water that collects re exes of our hearing and later absorbing to design a story of echo in new notions of forms. An orchestrated composition from the city's topology, a city that makes one think of music papers in a continuously played music: the scores come together like sea waves, the pentagram bars are canals with its numerous “legato” of bridges, of high churches windows, and let's not forget the violins on the edge on the gondolas. Its Music is bigger than the orchestra, and there is no hand big enough to ip the score sheet.
Entirely composed on concrete city sounds and processed in real-time via speci c softwares, “Untitled_VNZ” is made up of 4
connected and continuous movements which evolves for a total of 45 minutes. A visual composition for the ears where, at the end of the acoustic trip, we are not the ones leaving Venice, but it is
Venice that leaves our pupil and hearing.

Les données

  • Nom de fichier: untitled_vnz_avi.mp4
  • Taille du fichier: 10.65 MB
  • Durée du fichier: 00:02:41
  • Dimensions vidéo: 1280x720

Les catégories

  • VIDEO

À propos de

[Texte disponible uniquement en anglais] “Untitled_VNZ” is an acousmatic concert dedicated to Venice and its sound. A sound that vibrates of water, stone, re, metal , all of which in a continuous movement of sensorial and mnemonic evolution. Time becomes water that collects re exes of our hearing and later absorbing to design a story of echo in new notions of forms. An orchestrated composition from the city's topology, a city that makes one think of music papers in a continuously played music: the scores come together like sea waves, the pentagram bars are canals with its numerous “legato” of bridges, of high churches windows, and let's not forget the violins on the edge on the gondolas. Its Music is bigger than the orchestra, and there is no hand big enough to ip the score sheet.
Entirely composed on concrete city sounds and processed in real-time via speci c softwares, “Untitled_VNZ” is made up of 4
connected and continuous movements which evolves for a total of 45 minutes. A visual composition for the ears where, at the end of the acoustic trip, we are not the ones leaving Venice, but it is
Venice that leaves our pupil and hearing.

Auteur

Frederico Pimpão

Frederico Pimpão

Portugal Lisbon

Performances

_Untitled_VNZ_

_Untitled_VNZ_

Federico Dal Pozzo/ Frederico Pimpao

Federico Dal Pozzo/ Frederico Pimpao

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